Selected work

Performances

Traditional repertoire presented as living musical landscapes — with space for context, close listening and imagination.

Selected performance excerpts

Performance, demonstration and shared listening

Performance approach

“From imagined landscapes to shared resonance.”

My performances invite audiences into the imaginative world of each piece from the first sound — moonlight, moving water, distance or farewell.

Rather than separating music from explanation, I move between performance and short demonstrations, allowing cultural context to emerge at the moment it becomes audible. I reveal how touch, harmonics, sliding tones, resonance and silence shape these images, and how Jianzipu records the gestures behind the sound.

Understanding grows from direct experience.

Until an unfamiliar instrument begins to carry emotions and states of mind that feel recognisable across cultures.

Guān Shān Yuè · film in preparation

Selected performance

关山月

Guān Shān Yuè

Moon over the Mountain Pass

Performance excerpt · UK · 2026

A landscape of moonlight, distance and longing. The music holds stillness and separation within the same spacious image, allowing each sounded note to remain present through its fading resonance.

Watch the performance

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Zuì Yú Chàng Wǎn · China · 2024

Selected performance

醉渔唱晚

Zuì Yú Chàng Wǎn

Evening Song of the Drunken Fisherman

Performance excerpt · China · 2024

An evening on the water loosens gradually into freedom and spontaneity. The work moves from repose towards gestures that feel playful, fluid and increasingly unrestrained.

Watch the performance

View on YouTube

Selected repertoire

A growing selection of works available for performance, each shaped by a distinct image, gesture and atmosphere.

关山月

Guān Shān Yuè

Moon over the Mountain Pass

Moonlight above a distant frontier becomes an image of separation, vastness and longing — a landscape suspended between stillness and distance.

碧涧流泉

Bì Jiàn Liú Quán

Flowing Springs in a Jade Ravine

Water moves between stone, sometimes quiet and distant, sometimes gathering momentum. The piece invites the listener to hear movement within stillness.

醉渔唱晚

Zuì Yú Chàng Wǎn

Evening Song of the Drunken Fisherman

An evening on the water gradually loosens into freedom and spontaneity — playful, fluid and increasingly unrestrained.

酒狂

Jiǔ Kuáng

Drunken Ecstasy

Rhythmic, spirited and unconventional. Here, drunkenness becomes an artistic image of freedom from restraint.

阳关三叠

Yáng Guān Sān Dié

Three Refrains at Yang Pass

A farewell repeated three times, carrying friendship, departure and the quiet sadness of a journey that cannot be delayed.

梅花三弄

Méi Huā Sān Nòng

Three Variations on the Plum Blossom

The recurring musical idea returns in changing forms, evoking the plum blossom’s associations with resilience, refinement and integrity.